May 24 - July 6 2012 [opening Reception May 24, 2012]
The installation changes for each new space. This time there is a Montreal Metro car.













Micropolis 2.0 is a multimedia universe made of silkscreen cutouts and digital prints that explores urban life and the relationships between people and large cities. This work of wonder, as Québécois artists Allison Moore and Arthur Desmarteaux call it, is on at SNAP Gallery in Edmonton through early July.
It’s an evolving installation of collaged screen and digital prints, assembled to evoke a busy commercial street with pedestrians, creatures and vehicles, inspired by the cityscapes of Québec City, Montréal and Toronto.
The diorama also includes sections of woodcuts and LCD video screens in the “building windows” showing animated loops and an accompanying soundtrack.
The artists say the project “is intended to convey a sense of wonder, awe and contemplation. Looking though the microscope, viewers are drawn in a god-like perspective, entering a strange theatrical dimension.”
Allison Moore is a multidisciplinary artist originally from Vancouver Island, now located in Montréal. She has produced projects in Ecuador, Brazil, the United Kingdom, and Europe. Her website is here.
Arthur Desmarteaux obtained a BFA in media & visual arts from University of Québec in Montréal. He is an active member of Graff Studios in Montreal, ARPRIM [Association for the promotion of Printed Arts in Québec] and the Puppet Association of Québec. His website is here.
For a PDF brochure from the exhibition at Open Studio, Toronto earlier this year, click here.
Images from Looper.ca
Live shadow performance with animated video projections and black light.
Presented at APRIM in the Belgo Building for Nuit Blanche - Montreal 2012.
35 audience members are enclosed by hand-printed fabric walls. The set was created at Megalo Print Studios in Australia.
Allison Moore & Arthur Desmarteaux [Egotrip Productions] 2012.
[see images of the set: MEGALO]
Special thanks to Jesse Orr for her awesome help in puppet manipulation.
Dans le cadre de Nuit blanche à Montréal, ARPRIM invite les noctambules de tous âges à pénétrer dans une forêt enchantée habitée de créatures mystérieuses. Alliant le théâtre d’ombres et de marionnettes, Arthur Desmarteaux et Allison Moore (Egotrip Production) présentent Le temps du rêve, un spectacle immersif et surréaliste inspiré du paysage australien.
Trois représentations sont prévues à 20h, 22h et minuit. Il sera aussi possible de visiter la scène avant et après les représentations. Les places sont limitées : premiers arrivés, premiers servis. Durée : 45 minutes
Project developed in residence at Megalo Print Studios, Canberra Australia [October-December 2011]
Urban Terrarium // 3 screen Video Installation from Allison Moore on Vimeo.
Micropolis 2.0 - Allison Moore & Arthur Desmarteaux.
Here is a little video documentation of an installation at Open Studio in Toronto. The exhibition is up from January 12 - February 18, 2012. Micropolis is an ever-expanding installation comprised of collaged screen and digital prints, assembled so they evoke a busy modern commercial street with pedestrians, creatures and vehicles passing by. The installation has an anthropological character inspired by the cityscapes of Québec City, Montréal and Toronto. A modular diorama of cardboard figures and shapes placed at different levels on wooden shelves, covering the perimeter of the gallery walls.